The friendship and songwriting partnership of John Lennon and Paul McCartney has fascinated nearly everyone who has been captivated by the Beatles in the half century since they became the most successful musical group of all time. They met as teenagers in 1957 (John was not quite 17, Paul just 15) and for the next thirteen years were each other's best friends, songwriting partners, and in a very real way, brothers. However, due to the very public falling out the Beatles had when they split in 1970, as well as the numerous nasty swipes Lennon took at McCartney in the press during the early 1970s, the conventional wisdom for many years was that from 1970 onward, they hated each other. While more information has come out over the years showing that they did reconcile by 1974 and maintain a friendship until Lennon's tragic murder in 1980, there hasn't been an in-depth look at their relationship in the decade following the Beatles' demise until now. When I was approached with the opportunity to review the brand new book Come Together: Lennon and McCartney in the Seventies by Richard White, I was very excited. Not only did the premise seem interesting, but it purported to be newly and extensively researched. With all of that anticipation, I was eager to dive in to this book when I got it; however, the reality was far different. Read on to see what I mean...
***special thanks to Neil at Omnibus Press for sending me a copy of the book to review!***
As for style, this book was a real slog to get through and I was very tempted to give up halfway through, although I stuck it out to the bitter end. The writing does not flow well at all and is not particularly sophisticated. There are numerous passages quoted from well-known sources, which make up large chunks of each chapter, and one incredibly annoying habit the author has throughout the book is the repetition of entire paragraphs and themes mere pages later. For example, a discussion on Lennon's work habits would finish and the chapter moved on, only for the EXACT SAME discussion on his work habits, word for word, be repeated completely a few pages later. It's the literary equivalent of this:
...and I'm not even exaggerating. This had the effect of stretching the chapters out far long than was necessary and comes across as though it was a high school student trying to hit the page limit for a term paper using this trick. Another thing I noticed that really irritated me was how certain passages were lifted from their sources out of context in order to imply something completely different from how they were originally intended. In one case, the author wanted to show how the individual Beatles all had differing musical tastes and how they combined them to create their music; he then proceeded to use a passage from Lennon's 1971 court statement where he was originally savaging and poking fun at McCartney by saying that he (Paul) had mainstream pop tastes while he (John) and George had more underground and avant garde tastes. By taking it out of its original setting and context, White set this passage up to sound more like John having a good-natured discussion on their different likes and dislikes when it was anything but! The description of the infamous bootleg "A Toot and a Snore in '74" is also poorly done. This recording of the only known time John and Paul jammed together after the Beatles is a fascinating document from a historical standpoint, but an absolutely unlistenable mess musically. However, from reading the write-up in this book, one would think that it was simply a slightly sloppy and loose but fun jam session when in reality it's little more than drugged-up studio banter and a handful of half-hearted and soon aborted stabs at some old 1950s & 60s rock classics that the assembled group of musicians can barely remember and get through.
Almost all of the books referenced, mentioned, or used as source material in Come Together are books I own and have read, so apart from the new interview with Keltner and the others mentioned above, there's little new in this disjointed book. Even the two sections of photographs add little, as most consist of photos either of the two during their Beatle years, or random shots from the 1970s. There isn't even a photo from their 1974 get-together which makes absolutely no sense given that their relationship in the 1970s is the entire premise of the book in the first place! I found this omission to be overall emblematic of this book's numerous problems. For me, it failed in all of the criteria I look for in a worthwhile book: it wasn't well constructed or well written, it wasn't enjoyable to read, and I didn't learn anything new from it. While the songwriting and lives of John Lennon and Paul McCartney will continue to fascinate people for years to come, this book won't.
MY RATING: 3/10